Seventh full album for death/doom progsters Novembers Doom, and second after the exemplar The Pale Haunt Departure which firmly established the band in the progressive metal scene. And “established” is a focal word when describing the music in Into Night’s Requiem Infernal. It is the music of a band that has its own sound and style, and its own vision. A band that does not care to impress but rather to produce good music. Without repeating themselves, Novembers Doom have produced a mature album that speaks to the mind.
Musically, Into Night’s Requiem Infernal stands between its two[......]

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After leav­ing their mark on the scene with 2008’s Go West Young Man, Let The Evil Go East, Greeley Estates have returned with a sure to be shock­ing, heavy approach to their music, tak­ing every­thing to the next level of intense. After the sad end­ing of Science Records, Greeley found a new home on Tragic Hero Records and set off with Cory Spotts (Blessthefall, Job For A Cowboy) to cre­ate their newest record. Changing things up a bit, No Rain, No Rainbow takes Greeley to a much heav­ier play­ing field with a few new tricks up their sleeves.

From the get go with opener “Seven Hours,” the unr[......]

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With Heavy 70’s influences and a more modern sound, AD INFINITUM have released an interesting debut album. AD INFINITUM is essentially the work of ex-CATHEDRAL ’s keyboardist Todd Braverman who was driven to record an album with 70’s prog rock sensitivities and accomplished this in style here. This album showcases vintage keyboard work, warm 12 string acoustic guitars and electric guitar, clean bass lines and excellent drumming.

All tracks have been digitally remastered.

1982 Debut;Prev.Vinyl Only

Recorded between 1980 and 1982.

Recording information: 1980-1982.

Photographer: Phillipe Fichot.

Die Form: Phillipe Fichot (various instruments).

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