Εις ΑΡΕΑ : «ΑΡΡΗΚΤ’, ΟΜΒΡΙΜΟΘΥΜΕ, ΜΕΓΑΣΘΕΝΕΣ, ΑΛΚΙΜΕ ΔΑΙΜΟΝ ΟΠΛΟΧΑΡΗΣ, ΑΔΑΜΑΣΤΕ, ΒΡΟΤΟΚΤΟΝΕ, ΤΕΙΧΙΣΙΠΛΗΤΑ ΑΡΕΣ ΑΝΑΞ, ΟΠΛΟΔΟΥΠΕ, ΦΟΝΟΙΣ ΠΕΠΑΛΑΓΜΕΝΟΣ ΑΙΕΙ, ΑΙΜΑΤΙ ΑΝΔΡΟΦΟΝΩΙ ΧΑΙΡΩΝ, ΠΟΛΕΜΟΚΛΟΝΕ, ΦΡΙΚΤΕ, ΟΣ ΠΟΘΕΕΙΣ ΞΙΦΕΣΙΝ ΤΕ ΚΑΙ ΕΓΧΕΣΙ ΔΗΡΙΝ ΑΜΟΥΣΟΝ…»
This is the tenth full length album for the Hellenic metal band and to be honest I’ve been expecting it as nothing else…Many guest appearances embellish this album such as Daemonia Nymphe, The Magus (Necromantia, Thou Art Lord, Diabolos Rising, N.A.O.S. and more), Alan A. Nemtheanga (Primordial), Diamanda Galas and Dirty Granny Tales.
The tra[......]
Seventh full album for death/doom progsters Novembers Doom, and second after the exemplar The Pale Haunt Departure which firmly established the band in the progressive metal scene. And “established” is a focal word when describing the music in Into Night’s Requiem Infernal. It is the music of a band that has its own sound and style, and its own vision. A band that does not care to impress but rather to produce good music. Without repeating themselves, Novembers Doom have produced a mature album that speaks to the mind.
After leaving their mark on the scene with 2008’s Go West Young Man, Let The Evil Go East, Greeley Estates have returned with a sure to be shocking, heavy approach to their music, taking everything to the next level of intense. After the sad ending of Science Records, Greeley found a new home on Tragic Hero Records and set off with Cory Spotts (Blessthefall, Job For A Cowboy) to create their newest record. Changing things up a bit, No Rain, No Rainbow takes Greeley to a much heavier playing field with a few new tricks up their sleeves.
